В The Moscow Times появилась статья Джона Фридмана о премьере сезона "Дон Кихот. Перезагрузка".
The final scene — moved from the prologue in Korkia's original text — is a meditation on the nature of the stage. It is, Korkia says by way of Don Quixote, an empty place whose primary quality is its resonance, its sonority, its magical ability to make the metaphysical take tangible shape and form. Isn't that still another definition of the Russian Don Quixote — someone who has the ability to take nothing and make something of it?
Slavutin, especially in the person of Nikulin's Sancho Panza, creates a simple, though effective framework for Korkia's play.
Полный текст статьи читайте на themoscowtimes.com